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(Guitar Educational). In Giant Steps for Guitar , Wolf Marshall takes an in-depth look at the Coltrane classic from a guitarist's point of view. Topics covered include a comprehensive harmonic analysis and informative history of "Giant Steps," melodic patterns in linear and positional form, rhythmic patterns and variations, ii-V and turnaround ideas, chordal studies, model solos, and much more. The accompanying CD includes audio demonstrations of most figures as well as accompanying tracks in various tempos over which to practice.
- Sales Rank: #1048595 in Books
- Published on: 2009-06-01
- Released on: 2009-06-01
- Original language: English
- Number of items: 1
- Dimensions: 12.00" h x .25" w x 9.00" l,
- Binding: Sheet music
- 72 pages
Most helpful customer reviews
22 of 22 people found the following review helpful.
From baby steps to Giant Steps!
By Jazzman
If you are an intermediate jazz guitarist who has put off attempting to learn how to improvise on Coltrane's masterpiece, Giant Steps, and its progeny, for fear of its difficulty, put it off no longer!
Wolf Marshall has succeeded in breaking this complex tune genre down into its constituant parts, so it can be approached in a manageable way.
He goes beyond other authors' approaches, which usually consist mainly of manipulating the 1235 pattern over the changes. Marshall starts with this, but adds further melodic and rhythmic considerations that are sorely missing from other works on the subject.
Of course, writing for guitarists, Marshall caters to our special needs and challenges, unappreciated by other instrumentalists, making this work an indispensable addition to the aspiring jazz guitarist's library.
12 of 13 people found the following review helpful.
A way to make the complicated simpler
By Jazzboy
Having gone through this book page by page, I could not believe the idiotic and moronic review that was written by one of the obviously more amateur guitarists who decided to insultingly add his uneducated 1-cents in. Honestly, this is the most well researched and applied method on learning how to play the "Giant Steps" chord progression on the guitar to date. As he does in all of his books, Mr. Marshall has presented an in-depth guitaristic point of view on this important jazz standard. The history of the jazz language and the role it has played in every master jazz musician's music including John Coltrane's is pointed out in the book by Mr. Marshall, and he shows us that in the examples and explanations as applied to "Giant Steps". Many of the examples are from Coltrane's solo itself. One thing that the other "reviewer" seems to have overlooked because he was expecting a transcription of the complete solo in tablature. Seriously?? There's at least TEN Coltrane transcription books with that solo already! If you know how to read music on the guitar, you wont need it in tab. But, if you want to learn how to improvise over this song on your own, you will have to move past trying to copy only Coltrane's solo. For that, you will need the concepts, techniques, fingerings, and rhythmic variations that Mr. Marshall has so carefully put together. That's what makes the negative review all the more stupid, because the writer either did not go through the book enough to even see the historic information coming from other jazz masters, OR he just plainly doesn't know or understand what hell he's talking about. By the looks of his insulting review, I would strongly say it's the latter. The fact that Mr. Marshall can tie the jazz language from Charlie Parker, Dexter Gordon, Joe Pass, Clifford Brown, Wes Montgomery, Sonny Stitt, Dizzy Gillespie, and Pat Martino into "Giant Steps" is amazing and demonstrates how timeless the jazz language is. This book will be a must-have volume on breaking down and leaning this song for jazz guitarists for many years to come. However, it would be wasted on idiots and morons who don't even know what jazz is.
9 of 9 people found the following review helpful.
a giant help for all guitarist & serious musicians
By Phillip L. Saruk
I found this book to be full of lots of great ideas; especially when you apply several different fingerings to the lines. If you are a reader this book makes for great sight reading and illustrates an up and down the neck concept of playing guitar. That concept is employed by all of the great players of the instrument: Pass, Montgomery, etc.,
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